Undertale was something that honestly passed me by at first. I missed the initial hype about this game. I am so, so glad that I didn’t let it slip by completely. Undertale tells the story of a human falling down a hole into another realm ruled by monsters. After a feud several years prior, monsters were banished underground by humans and have been searching for a way to pass through the barrier. The human naturally also wants to find a way through it to get back home and so embarks on a journey to get there, encountering oodles of odd characters along the way.
Late in October at one of the Halloween Readings that I organize, I listened as several fellow writers and friends discussed plans to partake in this year’s NaNoWriMo. Never heard of it? It’s like a month-long marathon for us writers. It stands for National Novel Writing Month. Think of it as a writing spirit quest if you will. A writer commits to the challenge of writing 50,000 words in one month’s time, therefore writing an entire (or most of) one book. In order to accomplish this seemingly Herculean effort, a writer must write at least 1,667 words a day to finish on time.
However easy it might seem, there is something that we writers seem to excel in all the better: procrastination. It’s one of my top ten talents actually. I didn’t decide that I was going to join the scores of writers participating in NaNoWriMo until 9 days into the month. I should have had 15,0003 words written. Here we are now 19 days into the month and I still have less than 10,000 words. I’m supposed to be more than 1/2 way completed by now.
How would you capture the depth of the ocean in your writing? How would you creatively sculpt its darkness, its mystery, its vastness, and its beauty into words? How would you even go about composing such a piece? Everything about John Luther Adams “Become Ocean” does this. There is a natural grace, a gentle ambiance, and an escalating reverence that perfectly captures how mankind loves, venerates, disrespects, and is in awe of the ocean. But the song isn’t just about what the ocean is; it is about becoming it. It’s about transforming and transporting.
I was lucky enough to have been introduced to “Becoming Ocean” through the Discover Weekly playlist in Spotify, an online music program. The playlist updates weekly, introducing you to 30 new songs each Monday. Last week was when I was graced with “Becoming Ocean”. It is a collaborative effort of composer John Luther Adams, Ludovic Morlot, and the Seattle Symphony Orchestra.
That feeling you get after you’ve been in bed with a terrible headache ALL WEEKEND…and now, it’s your day to go back to work and you SUDDENLY feel better?
That’s been my weekend, folks.
I managed to get the most demonic headache, a combination of sinus, stress, and muscle all rolled up in a ball and tossed at my head. The sinus part was caused by a Calamondin tree that I have in my apartment (or should I say “had”). The Calamondin is a strange mini fruit tree that has a tiny orange fruit that tastes much like a lime. For some reason, despite it being November, this tree has been rapidly blooming and growing more little oranges. Our weather here in Maine has been warmer than it should be and for some reason, this tree is just absolutely loving it. Problem is that the pollen from these little flowers is super potent and my entire apartment smells like them. One day of sitting here breathing it in made my head feel like I was in Willy Wonka’s tunnel of craziness. The tree is now at my parent’s house after my mom gratefully came and picked it up.
Two weeks ago, I came to the somewhat depressing decision that I needed to rewrite my book (again) from the beginning. And shortly after starting the rewrite, I stopped and started the rewrite again. I’ve probably done this ten or so times with this book. But now, I really feel like I’m in the right place with it. The Wild Dark has been a difficult write for me in many ways that I thought Memento Mori (my latest release) was. The Wild Dark deals most importantly with friendship, loyalty, humanity, depression, and loss. The protagonist longs for a simpler life, a way to lose herself in ordinary routines so that she doesn’t have to face the death of her best friend and failed relationship with her fiance. This all happens in the wake of a supernatural event that brings a strange transformation to the world she knows and loves.
Like all of my stories, I have a playlist of songs that I listen to when working. For this particular story, I have two: one featuring music with lyrics and one without. The without list is long and from the very beginning, has featured music by respected composer James Newton Howard. The most featured of his music is from M. Night Shyamalan’s The Village Soundtrack, which (in my opinion) has some of the most beautiful music ever composed. The undulating violins and contemplative, tranquil piano effectively take you inside a world filled with characters who wish to live simpler lives, characters who are innocent and have trouble even conceiving wickedness. They are terrorized by legendary creatures that live in the woods around their bucolic village, creatures who have decided that the peaceful truce they’ve shared for many years is now void. The Village is not so much a horror film as it is a romantic one and that is reflected in every track that Howard wrote. Just like The Village, The Wild Dark is more about the love and bond between two friends and where that takes them than it is about the apocalyptic events surrounding them. Today, I’ll be sharing a few songs from Howard’s soundtrack along with what I see when I listen to them.
Some of you probably caught my Horror-FAVE Friday blog featuring Lisa: The Painful RPG and all the things about it that make it an outstanding game. I briefly touched on the music composed by the game’s creator, Austin Jorgensen, or as he prefers to call himself, Widdly 2 Diddly. There is a very eclectic mix of tunes in Lisa that call for more atmospheric, scene-setting pieces, as well as outright pumped up beats. Since the game contains a lot of RPG battles, there’s a fair amount of dubstep, hiphoppy, rap, and rock type pieces and even some that are a bit more undefinable. The premise of the game revolves around Brad, who is living in a post-apocalyptic land called Olathe with some of his childhood friends. All of the women and children of the world have vanished in something known as the Flash. Brad happens upon a baby girl who he names Buddy and takes it upon himself to raise her and protect her. When she’s taken from him, he vows to get her back using any means necessary. Thus begins his humorous, depressing, hopeful, and often depraved journey.
Last night in an effort to sit down and finally make some headway with my current WIP, I plopped down in front of my word processor, brewed a nice pot of coffee, and opened up the story. It’s sitting at page 200 and in my mind, I’m about 2/3 of the way done with the novel. I had hopes of finishing it up by the middle of September and then allow it to sit so that I could come back with fresh eyes later. Except that I have now found myself stuck between a rock and a hard place with my protagonist. She’s injured, in confinement, and with very few (and I mean VERY few) options of escape. As I’ve plugged along, I’ve known that this was going to take lots and lots of revising and editing, that the story seemed off-kilter the way it was and could use tweaking. But I wanted to save it for when I’d actually completed the 2nd draft of the book. (The first draft was only fifty pages long and I’d decided to reinvent everything and start over).
So, this man is one of my favorite musicians. Ever. Ever since I discovered City and Colour a couple years ago, I’ve been playing his music non-stop. City and Colour is the recording name for ultra-talented musician Dallas Green who has had his hand in a few other projects as a singer-songwriter and guitarist. One of his more recent ventures is with singer-songwriter (and badass) P!nk with their duo, You + Me. City and Colour is a blend of soft pastel acoustic romance (“The Girl”), bright electric pop (“Thirst”), intense and fiery passion (“Woman”), and cool and dark folk (“Nowhere, Texas”). I’ve been listening to him a lot while working on the sequel to “Night Time, Dotted Line” as well as working on “The Wild Dark”. Both books, though vastly different, have been inspired in parts by City and Colour’s very diverse styling. I’m always a fan of someone who can and does branch out uniquely and successfully in their genre, someone who really tries not to write the same song over and over again. It’s the reason why City and Colour is one of my absolute favorites to listen to no matter what project I’m working on. Today, I’m going to share a few of City and Colour’s songs with you and write what I see when I listen to them. Enjoy!
In my opinion, the most moving of music is always the music that contains no lyrics. Unless they are vague, lyrics tend to force a certain set of images into one’s mind when listening to a song. They set a theme, they set a story, and a character and really put walls up. They box in your ideas for what this song could be about and who it’s written for. Instrumental music is freer. There’s no male or female vocalist, there is no particular story being told other than the one the instruments tell, and you can feel anything from pain to pleasure as you listen. While I’ve had inspiration from a handful of songs with lyrics while working on books, I primarily listen to instrumental, soundtrack, or ambient music and can dive into a story so much deeper this way. As of late while working on my apocalyptic novel, The Wild Dark, I have fallen in love with a particular composer who I had not had the pleasure of listening to before: the wonderful Arvo Pärt.
(Pictured from left to right: Top; Scott Goudsward, Peter Dudar, Josiah Pitchforth, and Duane E. Coffill. Bottom: Dale Phillips, Katherine Silva)
This past weekend, I battled hordes of cosplaying people and visited Port-Con, an annual convention celebrating geek culture in South Portland. This was my second time doing an event like this and so naturally, I was a little nervous about some things going in. For one, I was pretty sure that some of the costumes I saw, I wouldn’t be able to unsee (I’m referring to you, man in the pink spandex suit). Some were outrageous, some were super cool, and some were unidentifiable for me. There were lots of anime characters at this con, which is one of the areas I’m not too versed on. I was able to recognize some video game characters here and there and some obvious Doctor Who impersonators (of which there were many). Didn’t see any Harry Potter which struck me as odd, though.