I’ve been introduced to so much wonderful music in the last few months, particularly things in the ska genre, which I had largely been disinterested in before. Not sure why. But I wholeheartedly regret that now. There are so, so many great bands in that genre that have been inspirations for the seeds of stories I’d like to work on. Several of these ideas have come from the works of Streetlight Manifesto and consequently, Toh Kay (the band’s lead singer) who has done acoustic covers of many of the songs. While I’d love to do an Inspiration Through Music post for just Toh Kay’s acoustic covers, you can’t really focus on him without also talking about Streetlight Manifesto. So, today’s Inspiration Through Music will be a bit of a split between the two of them.
Tomas Kalnoky AKA Toh Kay, is a Czech born American musician. While his music with Streetlight Manifesto has a much more upbeat, harder, and motivated feel to it, his solo albums are much smoother and often times, reveal a sadder tone to them. It’s amazing how one can listen to the original Streetlight Manifesto version of a song and then the Toh Kay version and feel as though they’ve listened to two completely different songs. But I love this. And I love that certain songs can be interpreted in both lights. I have a couple of songs from Toh Kay and Streetlight Manifesto that are on a playlist for my latest project (both versions of the same songs) and I’ve found that both work incredibly well for different parts of the story.
My latest project takes place in a fictional beach-side resort town where a vampire (name hasn’t been decided yet) is caught in the moral implications of his lifestyle and the jobs he’s often paid to do, the innocent people that are affected by it, and the dissolution of his own humanity the longer he does it. Toh Kay’s music speaks more to this character’s inner struggles, while Streetlight Manifesto’s songs are a bit more on point with action scenes integral to the plot. Because while I’ve described what this book is about in a deep and kind of nebulous way, it really is supposed to be more of a horror comedy and the playlist for it is chock full of other ska classics. Doesn’t mean that it doesn’t have its serious moments though and I can get inside my main character’s head more when I’m listening to those pieces by Toh Kay.
So, today, I’m going to share with you a few of the Toh Kay and Streetlight Manifesto songs that I have added to my playlist along with a couple of generic scenes to illustrate what I’m thinking when I listen to them. Enjoy!