Some of you probably caught my Horror-FAVE Friday blog featuring Lisa: The Painful RPG and all the things about it that make it an outstanding game. I briefly touched on the music composed by the game’s creator, Austin Jorgensen, or as he prefers to call himself, Widdly 2 Diddly. There is a very eclectic mix of tunes in Lisa that call for more atmospheric, scene-setting pieces, as well as outright pumped up beats. Since the game contains a lot of RPG battles, there’s a fair amount of dubstep, hiphoppy, rap, and rock type pieces and even some that are a bit more undefinable. The premise of the game revolves around Brad, who is living in a post-apocalyptic land called Olathe with some of his childhood friends. All of the women and children of the world have vanished in something known as the Flash. Brad happens upon a baby girl who he names Buddy and takes it upon himself to raise her and protect her. When she’s taken from him, he vows to get her back using any means necessary. Thus begins his humorous, depressing, hopeful, and often depraved journey.
Imagine you live in a world where all of the women and children have ceased to exist, where the land is teeming with gangs of men, some depraved, some violent, others just trying to find a place to hide, and remember the world the way it used to be. This is the world of Olathe in Lisa: The Painful RPG, created by Dingaling Productions a.k.a. Austin Jorgensen. In the game, we follow the story of Brad Armstrong, a down on his luck ex-martial arts teacher who has survived in the post-apocalyptic land of Olathe alongside his childhood friends. One day, he comes across a baby lying on the ground, but not just any baby; a baby girl. Realizing the implications of finding the only girl left in their world (and trying to atone for a mournful event in his past that involves his loathsome father, Brad brings the girl home and raises her. Eventually, word gets out about Buddy (the girl’s name) and she is taken from Brad. He sets out to find her and therein begins the strange, beautiful, and often times, perverted story of his quest to find her.
I made a list not too long ago of my top ten video game soundtracks. I missed one. I missed a major one. I was so busy concentrating on newer games that I forgot one of my absolute favorites from my childhood. Legend of Dragoon is a brilliant RPG in a similar vein as Final Fantasy that revolves around a war between humans, a race called the Winglies, and, well, dragons. Think Game of Thrones: Young Adult edition. Though the game did deal with some pretty dark material here and there, it fast became a cult favorite for thousands. Its characters, story, and music have stayed with me for years. Occasionally, I’ll break it out and play it on the PS3 just to relive the adventures of Dart, Shana, Albert, Rose and the others.