I’m currently experiencing one of my worst bouts with the evil beast known as Writer’s Block. I have tried time and time again to work on this specific project of mine but find that it’s hard for me to put myself into the scene. No matter the music I listen to (or don’t listen to), no matter the mood I’m in, and no matter how much cleaning I do to try and facilitate some ideas, I just can’t seem to get a grip on what I want to write.
So I’ve made it to that pivotal moment where one has to force themselves to do it and deal with the crappiness of its quality just to get going.
Sometimes, I forget it doesn’t have to be perfect.
First, it needs to be finished. There is always an after event for editing where one can rip the guts out of a book and put everything back together the way it’s meant to be.
This isn’t that time. Sometimes, it is impossible to find inspiration to work on something no matter what you do. Only one thing can be done.
When I grew up, I was one of the Trekkies. I loved anything and everything Star Trek but I had a respect for Star Wars and the world and characters that George Lucas had created. This year brought the series back to life with the latest (and greatest) in the Star Wars story, The Force Awakens. Having not watched The Empire Strikes Back or Return of the Jedi, I was missing pieces of the story and worried I wouldn’t be able to follow it. Thankfully, The Force Awakens was easy to follow, had a collection of fantastic characters and locations, and a plot that kept me guessing what was going to happen next. Most of all, I was impressed by John Williams new score. There were many times while watching where I was actually drawn to listen closer to his compositions and found them stunning and beautiful.
HAPPY NEW YEAR (a bit late) and welcome to the Monstrum Chronicles blog! Here’s hoping you all had a fun and festive holiday season and a wonderful start to the new year. 2016 promises to be an exciting year! I’m looking forward to making a few changes in my writing career as well as here at the blog and in my personal life as well.
First off, I would honestly like to be able to attend a few more shows this year in lieu of the fact that they are the best way to get my books into reader’s hands. 2nd, I’d like to focus on trying to market my books to a few more brick and mortar businesses here in Maine. I’ve been a salesperson for several years and yet it’s always so much harder when you are trying to sell something you’ve created yourself. This fear has made it difficult for me to take those steps forward. Not this year though. I’m going to give it my all here.
Read on to find out what 2016 has in store for the Monstrum Chronicles blog!
It’s the end of 2015 and with that revelation, I’ve decided to go through and list some of my favorites of the year starting with music! For long time subscribers to the blog, you’ll know that I have done a weekly blog for music that is inspirational to writers. It’s most often music that I’ve found from video game soundtracks or ambient/instrumental composers. This year, I wanted to list my top five favorites that I’ve listened to while writing. (Note: these are my personal choices and they’ve all been released in 2015. If it wasn’t released this year, it doesn’t make the list!)
#10: Dying Light Original Soundtrack by Pawel Blaszczak
Why: As a big fan of Blaszczak’s soundtracks for “Dead Island” and its sequel, I was extremely excited to hear what he’d be doing with “Dying Light”. The soundtrack for “Dying Light” is a perfect mixture of thoughtful isolation, of tension and terror. It differs from the Dead Island soundtracks by incorporating a bit more synthesizer into it, making it feel a bit more technical and almost CSI-like. Several of the tracks were very similar which doesn’t lead to much variety. Thing is: that consistency makes it a PERFECT soundtrack to listen to while working on any police procedural, detective story, or crime drama. It’s also great for any urban paranormal stories you might be working on. Track picks:Horizon, Invitation, Demolition, Now They Are Coming, Praise the Sunlight, Breakdown
Undertale was something that honestly passed me by at first. I missed the initial hype about this game. I am so, so glad that I didn’t let it slip by completely. Undertale tells the story of a human falling down a hole into another realm ruled by monsters. After a feud several years prior, monsters were banished underground by humans and have been searching for a way to pass through the barrier. The human naturally also wants to find a way through it to get back home and so embarks on a journey to get there, encountering oodles of odd characters along the way.
Late in October at one of the Halloween Readings that I organize, I listened as several fellow writers and friends discussed plans to partake in this year’s NaNoWriMo. Never heard of it? It’s like a month-long marathon for us writers. It stands for National Novel Writing Month. Think of it as a writing spirit quest if you will. A writer commits to the challenge of writing 50,000 words in one month’s time, therefore writing an entire (or most of) one book. In order to accomplish this seemingly Herculean effort, a writer must write at least 1,667 words a day to finish on time.
However easy it might seem, there is something that we writers seem to excel in all the better: procrastination. It’s one of my top ten talents actually. I didn’t decide that I was going to join the scores of writers participating in NaNoWriMo until 9 days into the month. I should have had 15,0003 words written. Here we are now 19 days into the month and I still have less than 10,000 words. I’m supposed to be more than 1/2 way completed by now.
How would you capture the depth of the ocean in your writing? How would you creatively sculpt its darkness, its mystery, its vastness, and its beauty into words? How would you even go about composing such a piece? Everything about John Luther Adams “Become Ocean” does this. There is a natural grace, a gentle ambiance, and an escalating reverence that perfectly captures how mankind loves, venerates, disrespects, and is in awe of the ocean. But the song isn’t just about what the ocean is; it is about becoming it. It’s about transforming and transporting.
I was lucky enough to have been introduced to “Becoming Ocean” through the Discover Weekly playlist in Spotify, an online music program. The playlist updates weekly, introducing you to 30 new songs each Monday. Last week was when I was graced with “Becoming Ocean”. It is a collaborative effort of composer John Luther Adams, Ludovic Morlot, and the Seattle Symphony Orchestra.
Some of you probably caught my Horror-FAVE Friday blog featuring Lisa: The Painful RPG and all the things about it that make it an outstanding game. I briefly touched on the music composed by the game’s creator, Austin Jorgensen, or as he prefers to call himself, Widdly 2 Diddly. There is a very eclectic mix of tunes in Lisa that call for more atmospheric, scene-setting pieces, as well as outright pumped up beats. Since the game contains a lot of RPG battles, there’s a fair amount of dubstep, hiphoppy, rap, and rock type pieces and even some that are a bit more undefinable. The premise of the game revolves around Brad, who is living in a post-apocalyptic land called Olathe with some of his childhood friends. All of the women and children of the world have vanished in something known as the Flash. Brad happens upon a baby girl who he names Buddy and takes it upon himself to raise her and protect her. When she’s taken from him, he vows to get her back using any means necessary. Thus begins his humorous, depressing, hopeful, and often depraved journey.
Last night in an effort to sit down and finally make some headway with my current WIP, I plopped down in front of my word processor, brewed a nice pot of coffee, and opened up the story. It’s sitting at page 200 and in my mind, I’m about 2/3 of the way done with the novel. I had hopes of finishing it up by the middle of September and then allow it to sit so that I could come back with fresh eyes later. Except that I have now found myself stuck between a rock and a hard place with my protagonist. She’s injured, in confinement, and with very few (and I mean VERY few) options of escape. As I’ve plugged along, I’ve known that this was going to take lots and lots of revising and editing, that the story seemed off-kilter the way it was and could use tweaking. But I wanted to save it for when I’d actually completed the 2nd draft of the book. (The first draft was only fifty pages long and I’d decided to reinvent everything and start over).
In my opinion, the most moving of music is always the music that contains no lyrics. Unless they are vague, lyrics tend to force a certain set of images into one’s mind when listening to a song. They set a theme, they set a story, and a character and really put walls up. They box in your ideas for what this song could be about and who it’s written for. Instrumental music is freer. There’s no male or female vocalist, there is no particular story being told other than the one the instruments tell, and you can feel anything from pain to pleasure as you listen. While I’ve had inspiration from a handful of songs with lyrics while working on books, I primarily listen to instrumental, soundtrack, or ambient music and can dive into a story so much deeper this way. As of late while working on my apocalyptic novel, The Wild Dark, I have fallen in love with a particular composer who I had not had the pleasure of listening to before: the wonderful Arvo Pärt.